Showing posts with label ಮೂಕಪಂಚಶತೀ ಪಾದಾರವಿಂದಶತಕಮ್. Show all posts
Showing posts with label ಮೂಕಪಂಚಶತೀ ಪಾದಾರವಿಂದಶತಕಮ್. Show all posts

Wednesday, March 13, 2013

ಮೂಕಪಂಚಶತೀ ಪಾದಾರವಿಂದಶತಕಮ್ ೫೧-೭೫

ಮೂಕಪಂಚಶತೀ (ಮೂಕಕವಿ ಪ್ರಣೀತಾ)  
             ಪಾದಾರವಿಂದಶತಕಂ
            (slokas ೫೧ to ೭೫)
Mooka Panchashati is a devotional composition by Muka Kavi dedicated to Kamakshi. The real name of the poet is not known. Legend has it that he was born dumb but regained not only his voice  by  the grace of Goddess Kamakshi but also became a poet of considerable merit. Mooka Panchashati  consists of five satakams, each Satakam containing ೧೦೦ verses. The Satakams  are Arya Satakam, Padaravinda Satakam, Stuti Satakam, Kataksha Satakam and Mandasmita Satakam.

Goddess Kamakshi is the presiding deity of Kancheepuram.  Her consort is Ekamreshwara, an aspect of Lord Shiva.  Kanchi is the Central Peetham established by Aadi Shankaracharya who installed and consecrated the  idol of Kamakshi and established the system of worship there. The other  Peethams are at Badrinath in the North, Dwarka in theWest,  Puri in the East and Sringeri (Sringa giri) in the South.

The translation into English of a hymn of this nature is a delicate task and readers may kindly pardon the shortcomings, though every attempt has been made to make the translation as close as possible to the intended or perceived meaning. 



             

ಅವಿಶ್ರಾಂತಂ ತಿಷ್ಠನ್ನಕೃತಕವಚಃ ಕಂದರಪುಟೀ-
ಕುಟೀರಾಂತಃ ಪ್ರೌಢಾಂ ನಖರುಚಿಸಟಾಲೀಂ  ಪ್ರಕಟಯನ್ | 
ಪ್ರಚಂಡಂ ಖಂಡತ್ವಂ ನಯತು ಮಮ ಕಾಮಾಕ್ಷಿ ತರಸಾ
ತಮೋವೇತಂಡೇಂದ್ರಂ ತವ ಚರಣಕಂಠೀರವಪತಿಃ    || ೫೧|| 
O Kamakshi ! Let  your lotus feet, like the king of lions, standing guard without rest and without armour, at the entrance of my heart-cave and proudly displaying its main which are the bright light rays emanating from your toe nails, quickly put an end to the elephant of darkness (ignorance) in my heart.
ಪುರಸ್ತಾತ್ಕಾಮಾಕ್ಷಿ ಪ್ರಚುರರಸಮಾಖಂಡಲಪುರೀ-
ಪುರಂಧ್ರೀಣಾಂ ಲಾಸ್ಯಂ ತವ ಲಲಿತಮಾಲೋಕ್ಯ ಶನಕೈಃ| 
ನಖಶ್ರೀಭಿಃ ಸ್ಮೇರಾ ಬಹು ವಿತನುತೇ ನೂಪುರರವೈ-
ಶ್ಚಮತ್ಕೃತ್ಯಾ ಶಂಕೇ ಚರಣಯುಗಲೀ ಚಾಟುರಚನಾಃ || ೫೨|| 

O Kmakshi! the damsels of heaven enact before you a dance drama full of fine sentiments.  After witnessing the dance your lotus feet seem to smile with the bright white radiance from your toe nails and the tinkling sound of the anklets seem to speak words of appreciation for the dance performance.


ಸರೋಜಂ ನಿಂದಂತೀ ನಖಕಿರಣ್ಕರ್ಪೂರಶಿಶಿರಾ
ನಿಷಿಕ್ತಾ ಮಾರಾರೇರ್ಮುಕುಟಶಶಿರೇಖಾಹಿಮಜಲೈಃ| 
ಸ್ಫುರಂತೀ ಕಾಮಾಕ್ಷಿ ಸ್ಫುಟರುಚಿಮಯೇ ಪಲ್ಲವಚಯೇ
ತವಾಧತ್ತೇ ಮೈತ್ರೀಂ ಪಥಿಕಸದೃಶಾ ಪಾದಯುಗಲೀ || ೫೩|| 

O Kamakshi! your feet are more beautiful than the lotus. They are cooled by the bright white radiance from the toe-nails which resemble karpur (camphor).  They are also
sprinkled with the ice water from the crescent moon on the head of Shiva (who bows down at your feet).  They make friends with blossoms of bright red tender leaves (leaf buds) as a fellow-traveller ( Your lotus feet resemble a blossom of tender leaves with their red colour)

ನತಾನಾಂ ಸಂಪತ್ತೇರನವರತಮಾಕರ್ಷಣಜಪಃ
ಪ್ರರೋಹತ್ಸಂಸಾರಪ್ರಸರಗರಿಮಸ್ತಂಭನಜಪಃ| 
ತ್ವದೀಯಃ ಕಾಮಾಕ್ಷಿ ಸ್ಮರಹರಮನೋಮೋಹನಜಪಃ
ಪಟೀಯಾನ್ನಃ ಪಾಯಾತ್ಪದನಲಿನಮಂಜೀರನಿನದಃ || ೫೪|| 

O Kamakshi!  May the tinkling of the anklets of your lotus feet protect us.  Those sounds from the anklets are the chants (japa) for always attracting wealth for those who prostrate before your lotus feet.  They are chants (japa) for stopping the onslaught of samasara  which spreads and gains weight.  They are also chants (japa) for  captivating the heart of Shiva (who burnt Kama, Cupid)

ವಿತನ್ವೀಥಾ ನಾಥೇ ಮಮ ಶಿರಸಿ ಕಾಮಾಕ್ಷಿ ಕೃಪಯಾ
ಪದಾಂಭೋಜನ್ಯಾಸಂ ಪಶುಪರಿಬೃಢಪ್ರಾಣದಯಿತೇ | 
ಪಿಬಂತೋ ಯನ್ಮುದ್ರಾಂ ಪ್ರಕಟಮುಪಕಂಪಾಪರಿಸರಂ
ದೃಶಾ ನಾನಂದ್ಯಂತೇ ನಲಿನಭವನಾರಾಯಣಮುಖಾಃ || ೫೫|| 

O Kamakshi! darling of Pasupati! kindly place your lotus feet on my head. The impressions of those lotus feet visible around the banks of Kampa are absorbed by the eyes of Brahma, Vishnu and others and give them supreme bliss. 


ಪ್ರಣಾಮೋದ್ಯದ್ವೃಂದಾರಕಮುಕುಟಮಂದಾರಕಲಿಕಾ
ವಿಲೋಲಲ್ಲೋಲಂಬಪ್ರಕರಮಯಧೂಮಪ್ರಚುರಿಮಾ| 
ಪ್ರದೀಪ್ತಃ ಪಾದಾಬ್ಜದ್ಯುತಿವಿತತಿಪಾಟಲ್ಯಲಹರೀ-
ಕೃಶಾನುಃ ಕಾಮಾಕ್ಷ್ಯಾ ಮಮ ದಹತು ಸಂಸಾರವಿಪಿನಂ || ೫೬|| 

The bright red radiance from the lotus feet of Kamakshi, as it were, is fire. The swarm of bees flitting around the mandara flowers on the crowns of celestials bowing down before her feet give the impression of smoke (because of their dark colour).  May that fire of the lotus feet of Kamakshi burn up the forest of my samsara.

ವಲಕ್ಷಶ್ರೀರೃಕ್ಷಾಧಿಪಶಿಶುಸದೃಶಾ ತವ ನಖೈ-
ರ್ಜಿಘೃಕ್ಷುರ್ದಕ್ಷತ್ವಂ ಸರಸಿರುಹಭಿಕ್ಷುತ್ವಕರಣೇ| 
ಕ್ಷಣಾನ್ಮೇ ಕಾಮಾಕ್ಷಿ ಕ್ಷಪಿತಭವಸಂಕ್ಷೋಭಗರಿಮಾ
ವಚೋವೈಚಕ್ಷಣ್ಯಂ ಚರಣ್ಯುಗಲೀ ಪಕ್ಷ್ಮಲಯತಾಂ || ೫೭|| 
O Kamakshi! the radiance of your forehead which resembles the crescent moon wants to snatch from your toe nails the capacity to make the lotuses close (because of the moonlight-like radiance of the toe nails). May your lotus feet which have the power to calm the anger of Lord Shiva grant me eloquence and effectiveness in  speech.   

ಸಮಂತಾತ್ಕಾಮಾಕ್ಷಿ ಕ್ಷತತಿಮಿರಸಂತಾನಸುಭಗಾ-
ನನಂತಾಭಿರ್ಭಾಭಿರ್ದಿನಮನು ದಿಗಂತಾನ್ವಿರಚಯನ್| 
ಅಹಂತಾಯಾ ಹಂತಾ ಮಮ ಜಡಿಮದಂತಾವಲರಿಪು
ರ್ವಿಭಿಂತಾಂ ಸಂತಾಪಂ ತವ ಚರಣಚಿಂತಾಮಣಿರಸೌ || ೫೮|| 

May the Chintamani (wish-yielding gemstone) of your lotus feet destroy my sorrows; the Chintamani which dispels the darkness,  radiates its brilliance in all directions, kills my ego and removes my dullness. 

ದಧಾನೋ ಭಾಸ್ವತ್ತಾಮಮೃತನಿಲಯೋ ಲೋಹಿತವಪು-
ರ್ವಿನಮ್ರಾಣಾಂ ಸೌಮ್ಯೋ ಗುರುರಪಿ ಕವಿತ್ವಂ ಚ ಕಲಯನ್| 
ಗತೌ ಮಂದೋ ಗಂಗಾಧರಮಹಿಷಿ ಕಾಮಾಕ್ಷಿ ಭಜತಾಂ
ತಮಃಕೇತುರ್ಮಾತಸ್ತವ ಚರಣಪದ್ಮೋ ವಿಜಯತೇ|| ೫೯|| 

O Mother Kamakshi! consort of Shiva! Victory to your lotus feet which is brilliant (as the Sun), which is the seat of nectar (as the Moon), which is of red colour (as Mars), which is  soft and friendly to those who bow before it (also Budha),  which is Guru ( also Jupiter) and kavi (poet) ( also Venus), which moves slowly (as Saturn), which is the destoryer of ignorance (also Rahu and Ketu).
[The poet has used words with two meanings to bring out sleshalankara  a figure of speech]

ನಯಂತೀಂ ದಾಸತ್ವಂ ನಲಿನಭವಮುಖ್ಯಾನಸುಲಭ-
ಪ್ರದಾನಾದ್ದೀನಾನಾಮಮರತರುಸೌಭಾಗ್ಯಜನನೀಂ| 
ಜಗಜ್ಜನ್ಮಕ್ಷೇಮಕ್ಷಯವಿಧಿಷು ಕಾಮಾಕ್ಷಿ ಪದಯೋ-
ರ್ಧುರೀಣಾಮೀಷ್ಟೇ ಕಸ್ತವ ಭಣಿತುಮಾಹೋಪುರುಷಿಕಾಂ || ೬೦|| 

O Kamaksh! Your lotus feet make Brahma and others Your servants.  For those who are in misery they shower riches like the wish-yielding tree. They create, sustain and destroy worlds.  Who can adequately describe your power and pride in all these activities ?

ಜನೋಽಯಂ ಸಂತಪ್ತೋ ಜನನಿ ಭವಚಂಡಾಂಶುಕಿರಣೈ-
ರಲಬ್ಧ್ವೈಕಂ ಶೀತಂ ಕಣಮಪಿ ಪರಜ್ಞಾನಪಯಸಃ| 
ತಮೋಮಾರ್ಗೇ ಪಾಂಥಸ್ತವ ಝಟಿತಿ ಕಾಮಾಕ್ಷಿ ಶಿಶಿರಾಂ
ಪದಾಂಭೋಜಚ್ಛಾಯಾಂ ಪರಮಶಿವಜಾಯೇ ಮೃಗಯತೇ || ೬೧|| 

O Mother Kamakshi! I am being tormented by the scorching rays of the Sun of this samsara but I am not getting an iota of the coolness of the milk of spiritual (higher) Knowledge.  I am a traveller on this path of darkness and O consort of Paramashiva!,  I urgently seek the cool shade of your lotus feet.  

ಜಯತ್ಯಂಬ ಶ್ರೀಮನ್ನಖಕಿರಣಚೀನಾಂಶುಕಮಯಂ
ವಿತಾನಂ ಬಿಭ್ರಾಣೇ ಸುರಮಕುಟಸಂಘಟ್ಟಮಸೃಣೇ| 
ನಿಜಾರುಣ್ಯಕ್ಷೌಮಾಸ್ತರಣವತಿ ಕಾಮಾಕ್ಷಿ ಸುಲಭಾ
ಬುಧೈಃ ಸಂವಿನ್ನಾರೀ ತವ ಚರಣಮಾಣಿಕ್ಯಭವನೇ || ೬೨|| 

O Kamakshi! the damsel of True Knowledge is easily accessed by the wise in the gem-house of your lotus feet which has the canopy of the radiance from the toe-nails which resembles Chinese silk which is made more smooth by brushing against the crowns of the celestials (who bow down at your feet) and which has the bedspread of the red radiance of your lotus feet. 

ಪ್ರತೀಮಃ ಕಾಮಾಕ್ಷಿ ಸ್ಫುರಿತತರುಣಾದಿತ್ಯಕಿರಣ-
ಶ್ರಿಯೋ ಮೂಲದ್ರವ್ಯಂ ತವ ಚರಣಮದ್ರೀಂದ್ರತನಯೇ| 
ಸುರೇಂದ್ರಾಶಾಮಾಪೂರಯತಿ ಯದಸೌ ಧ್ವಾಂತಮಖಿಲಂ
ಧುನೀತೇ ದಿಗ್ಭಾಗಾನಪಿ ಚ ಮಹಸಾ ಪಾಟಲಯತೇ || ೬೩|| 

O Kamakshi! daughter of Himavan! we meditate on your lotus feet which is the source of the radiance of the rising sun, which fulfils the wishes of Indra, which dispels all darkness and inundates all quarters by the radiance of red effulgence.

ಮಹಾಭಾಷ್ಯವ್ಯಾಖ್ಯಾಪಟುಶಯನಮಾರೋಪಯತಿ ವಾ
ಸ್ಮರವ್ಯಾಪಾರೇರ್ಷ್ಯಾಪಿಶುನನಿಟಿಲಂ ಕಾರಯತಿ ವಾ
ದ್ವಿರೇಫಾಣಾಮಧ್ಯಾಸಯತಿ ಸತತಂ ವಾಧಿವಸತಿಂ
ಪ್ರಣಮ್ರಾನ್ಕಾಮಾಕ್ಷ್ಯಾ: ಪದನಲಿನಮಾಹಾತ್ಮ್ಯಗರಿಮಾ || ೬೪|| 
The greatness of Kamakshi’s lotus feet  makes those who  prostrate before them a great scholar who can write the Mahabhashya or  who, like Lord Shiva, can burn Kama or who occupies the abode of the devas.  

ವಿವೇಕಾಂಭಃ ಸ್ರೋತಃ ಸ್ನಪನಪರಿಪಾಟೀಶಿಶಿರಿತೇ
ಸಮೀಭೂತೇ ಶಾಸ್ತ್ರಸ್ಮರಣಹಲಸಂಕರ್ಷಣವಶಾತ್| 
ಸತಾಂ ಚೇತಃ ಕ್ಷೇತ್ರೇ ವಪತಿ ತವ ಕಾಮಾಕ್ಷಿ ಚರಣೌ
ಮಹಾಸಂವಿತ್ಸಸ್ಯಪ್ರಕರವರಬೀಜಂ ಗಿರಿಸುತೇ || ೬೫|| 

O kamakshi! daughter of Himavan!  your lotus feet sow the seeds of True Knowledge in the heart-field of sages which have been cooled by bathing in the fountain of discrimination and which have been levelled by the plough of contemplating the sastras.

ದಧಾನೋ ಮಂದಾರಸ್ತಬಕಪರಿಪಾಟೀಂ ನಖರುಚಾ
ವಹಂದೀಪ್ತಾಂ ಶೋಣಾಂಗುಲಿಪಟಲಚಾಂಪೇಯಕಲಿಕಾಂ | 
ಅಶೋಕೋಲ್ಲಾಸಂ ನಃ ಪ್ರಚುರಯತು ಕಾಮಾಕ್ಷಿ ಚರಣೋ-
ರ್ವಿಕಾಸೀ ವಾಸಂತಃ ಸಮಯ ಇವ ತೇ ಶರ್ವದಯಿತೇ || ೬೬|| 

O Kamakshi! the brightness of your toe nails resembles a cluster of jasmine flowers.  The toes of your lotus feet with their bright reddish tinge resemble buds of champa flower.  The soles of your feet spread the joy of ashoka flowers.  O Consort of Shiva ! it looks as if your feet are the spring season.


ನಖಾಂಶುಪ್ರಾಚುರ್ಯಪ್ರಸೃಮರಮರಾಲೀಧವಲಿತಃ
ಸ್ಫುರನ್ಮಂಜೀರೋದ್ಯನ್ಮರಕತಮಹಃಶೈವಲಯುತಃ| 
ಭವತ್ಯಾಃ ಕಾಮಾಕ್ಷಿ ಸ್ಫುಟಚರಣಪಾಟಲ್ಯಕಪಟೋ
ನದಃ ಶೊಣಾಭಿಖ್ಯೋ ನಗಪತಿತನೂಜೇ ವಿಜಯತೇ || ೬೭|| 

O Kamakshi! Daughter of Himavan! Victory to the red radiance of your feet which is like the river Shona.  The brilliant white radiance from your nails are like swans floating on the river and the dark green of your anklets is like moss.  

ಧುನಾನಾಂ ಪಂಕೌಘಂ ಪರಮಸುಲಭಂ ಕಂಟಕಕುಲೈ-
ರ್ವಿಕಾಸವ್ಯಾಸಂಗಂ ವಿದಧದಪರಾಧೀನಮನಿಶಂ| 
ನಖೇಂದುಜ್ಯೋತ್ಸ್ನಾಭಿರ್ವಿಶದರುಚಿ ಕಾಮಾಕ್ಷಿ ನಿತರಾ-
ಮಸಾಮಾನ್ಯಂ ಮನ್ಯೇ ಸರಸಿಜಮಿದಂ ತೇ ಪದಯುಗಂ || ೬೮|| 


O Kamakshi!  your lotus feet wash away sins, not easy of access for enemies, attached to blossoming, always make (devotees) free, of white hue because of the moonlight from the toe nail-moons.  I think that your lotus feet are   very unusual, uncommon type of lotus flowers.      


ಕರೀಂದ್ರಾಯ ದ್ರುಹ್ಯತ್ಯಲಸಗತಿಲೀಲಾಸು ವಿಮಲೈಃ
ಪಯೋಜೈರ್ಮಾತ್ಸರ್ಯಂ ಪ್ರಕಟಯತಿ ಕಾಮಂ ಕಲಯತೇ| 
ಪದಾಂಭೋಜದ್ವಂದ್ವಂ ತವ ತದಪಿ ಕಾಮಾಕ್ಷಿ ಹೃದಯಂ
ಮುನೀನಾಂ ಶಾಂತಾನಾಂ ಕಥಮನಿಶಮಸ್ಮೈ ಸ್ಪೃಹಯತೇ || ೬೯||  

O Kamakshi!  your lotus feet hurts (defeats) the elephant by lazy playful gait and they display jealousy for the lotus (because they are also soft and bright red).  (With such negative traits in their character) how is it the hearts of the peaceful sages are so desirous of your lotus feet?

ನಿರಸ್ತಾ ಶೋಣಿಮ್ನಾ ಚರಣಕಿರಣಾನಾಂ ತವ ಶಿವೇ
ಸಮಿಂಧಾನಾ ಸಂಧ್ಯಾರುಚಿರಚಲರಾಜನ್ಯತನಯೇ| 
ಅಸಾಮರ್ಥ್ಯಾದೇನಂ ಪರಿಭವಿತುಮೇತತ್ಸಮರುಚಾಂ
ಸರೋಜಾನಾಂ ಜಾನೇ ಮುಕುಲಯತಿ ಶೋಭಾಂ ಪ್ರತಿದಿನಂ || ೭೦|| 

O Daughter of Himavan!  the  bright red radiance from your lotus feet excels the bright red colour of the evening twilight (ಸಂಧ್ಯಾ).  Since it is unable to  retaliate it  (twilight, ಸಂಧ್ಯಾ ) makes the lotus, which is as red and as soft as your lotus feet, close during the evening twilight .   


ಉಪಾದಿಕ್ಷದ್ದಾಕ್ಷ್ಯಂ ತವ ಚರಣನಾಮಾ ಗುರುರಸೌ
ಮರಾಲಾನಾಂ ಶಂಕೇ ಮಸೃಣಗತಿಲಾಲಿತ್ಯಸರಣೌ | 
ಅತಸ್ತೇ ನಿಸ್ತಂದ್ರಂ ನಿಯತಮಮುನಾ ಸಖ್ಯಪದವೀಂ
ಪ್ರಪನ್ನಂ ಪಾಥೋಜಂ ಪ್ರತಿ ದಧತಿ ಕಾಮಾಕ್ಷಿ ಕುತುಕಂ || ೭೧|| 

It appears that your lotus feet, as the guru, advised the swan about walking smoothly with delicate steps. Therefore the swan got interested in the lotus which made friends with it,  because the soft and delicate lotus was perfect for the swan to walk with soft and delicate steps. 

ದಧಾನೈಃ ಸಂಸರ್ಗಂ ಪ್ರಕೃತಿಮಲಿನೈಃ  ಷಟ್ಪದಕುಲೈ-
ರ್ದ್ವಿಜಾಧೀಶಶ್ಲಾಘಾವಿಧಿಷು ವಿದಧದ್ಭಿರ್ಮುಕುಲತಾಂ | 
ರಜೋಮಿಶ್ರೈಃ ಪದ್ಮೈರ್ನಿಯತಮಪಿ  ಕಾಮಾಕ್ಷಿ ಪದಯೋ-
ರ್ವಿರೋಧಸ್ತೇ ಯುಕ್ತೋ ವಿಷಮಶರವೈರಿಪ್ರಿಯತಮೇ || ೭೨|| 

O Kamakshi! Consort of the Enemy of Cupid!  The enmity of your feet to the lotus flowers is only proper because they are always in contact with honey-bees which are naturally dirty, they close their petals when the moon rises and they are full of rajas (dust, pollen)

ಕವಿತ್ವಶ್ರೀಮಿಶ್ರೀಕರಣನಿಪುಣೌ ರಕ್ಷಣಚಣೌ
ವಿಪನ್ನಾನಾಂ ಶ್ರೀಮನ್ನಲಿನಮಸೃಣೌ ಶೋಣಕಿರಣೌ| 
ಮುನೀಂದ್ರಾಣಾಮಂತಃಕರಣಶರಣೌ ಮಂದಸರಣೌ
ಮನೋಜ್ಞೌ ಕಾಮಾಕ್ಷ್ಯಾ ದುರಿತಹರಣೌ ನೌಮಿ ಚರಣೌ|| ೭೩|| 


I bow before the Kamakshi’s lotus feet which bestow the skill to compose beautiful poems, which are good at protecting those who are in distress, which are beautiful and soft as the lotus, which radiate red colour, which abide in the hearts of sages, which have a slow graceful gait, which captivate the heart and which destroy all sins and miseries. 


ಪರಸ್ಮಾತ್ಸರ್ವಸ್ಮಾದಪಿ ಚ ಪರಯೋರ್ಮುಕ್ತಿಕರಯೋ-
ರ್ನಖಶ್ರೀಷು ಜ್ಯೋತ್ಸ್ನಾಕುಲಿತತಲಯೋಸ್ತಾಮ್ರತಲಯೋಃ| 
ನಿಲೀಯೇ ಕಾಮಾಕ್ಷ್ಯಾ಼ ನಿಗಮನುತಯೋರ್ನಾಕಿನತಯೋ-
ರ್ನಿರಸ್ತಪ್ರೋನ್ಮೀಲನ್ನಲಿನಮದಯೋರೇವ ಪದಯೋಃ || ೭೪|| 

My heart dissolves in the feet of Kamakshi which deflate the pride of lotuses in full bloom, which are higher than all those which are capable of giving mukti (liberation from the cycle of births and deaths),  the radiance of whose nails excel the beauty of moonlight, the soles of which are of pink colour, which are praised by the Vedas and to which the celestials offer prostrations.

ಸ್ವಭಾವಾದನ್ಯೋನ್ಯಂ ಕಿಸಲಯಮಪೀದಂ ತವ ಪದಂ
ಮ್ರದಿಮ್ನಾ ಶೋಣಿಮ್ನಾ ಭಗವತಿ ದಧಾತೇ ಸದೃಶತಾಂ| 
ವನೇ ಪೂರ್ವಸ್ಯೇಚ್ಛಾ ಸತತಮವನೇ ಕಿಂ ತು ಜಗತಾಂ
ಪರಸ್ಯೇತ್ಥಂ ಭೇದಃ ಸ್ಫುರತಿ ಹೃದಿ ಕಾಮಾಕ್ಷಿ ಸುಧಿಯಾಂ || ೭೫|| 

O Kamakshi! there is this natural similarity between tender leaf buds  and your lotus feet; both are soft and of pink colour.  But to the wise there appears to be a difference.  The former’s desire is in the forest (ವನೇ)  the latter’s desire is in protecting (ಅವನೇ) the worlds always.  [In Sanskrit ‘ಅ’ is prefixed to a word to derive its opposite.  Thus ’ವನೇ’ is the opposite of ‘ವನೇ’]


Tuesday, March 12, 2013

ಮೂಕಪಂಚಶತೀ ಪಾದಾರವಿಂದಶತಕಮ್ 26-50


ಮೂಕಪಂಚಶತೀ (ಮೂಕಕವಿ ಪ್ರಣೀತಾ)
                           ಪಾದಾರವಿಂದಶತಕಂ
            (slokas ೨೬ to ೫೦)
Mooka Panchashati is a devotional composition by Muka Kavi dedicated to Kamakshi. The real name of the poet is not known. Legend has it that he was born dumb but regained not only his voice  by  the grace of Goddess Kamakshi but also became a poet of considerable merit. Mooka Panchashati  consists of five satakams, each Satakam containing ೧೦೦ verses. The Satakams  are Arya Satakam, Padaravinda Satakam, Stuti Satakam, Kataksha Satakam and Mandasmita Satakam.

Goddess Kamakshi is the presiding deity of Kancheepuram.  Her consort is Ekamreshwara, an aspect of Lord Shiva.  Kanchi is the Central Peetham established by Aadi Shankaracharya who installed and consecrated the  idol of Kamakshi and established the system of worship there. The other  Peethams are at Badrinath in the North, Dwarka in theWest,  Puri in the East and Sringeri (Sringa giri) in the South.

The translation into English of a hymn of this nature is a delicate task and readers may kindly pardon the shortcomings, though every attempt has been made to make the translation as close as possible to the intended or perceived meaning.

ಮನೋಗೇಹೇ ಮೋಹೋದ್ಭವತಿಮಿರಪೂರ್ಣೇ ಮಮ ಮುಹು-
ರ್ದರಿದ್ರಾಣೀಕುರ್ವನ್ ದಿನಕರಸಹಸ್ರಾಣಿ ಕಿರಣೈಃ
ವಿಧತ್ತಾಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಸೃಮರತಮೋವಂಚನಚಣಃ
ಕ್ಷಣಾರ್ಧಂ ಸಾನ್ನಿಧ್ಯಂ ಚರಣಮಣಿದೀಪೋ ಜನನಿ ತೇ || ೨೬||

O Mother Kamakshi! My mind-house is full of darkness arising out of my delusions and desires. Your lotus-feet are like a manidipa (lamp of brilliant gemstone)  brighter than a thousand suns and capable of dispelling the dense darkness in my heart.  Kindly therefore let your lotus feet be present in my heart, just for a moment, so that the darkness inside is dispelled.
ಕವೀನಾಂ ಚೇತೋವನ್ನಖರರುಚಿಸಂಪರ್ಕಿ ವಿಬುಧ-
ಸ್ರವಂತೀಸ್ರೋತೋವತ್ಪಟುಮುಖರಿತಂ ಹಂಸಕರವೈಃ|
ದಿನಾರಂಭಶ್ರೀವನ್ನಿಯತಮರುಣಚ್ಛಾಯಸುಭಗಂ
ಮದಂತಃ ಕಾಮಾಕ್ಷ್ಯಾಃ ಸ್ಫುರತು ಪದಪಂಕೇರುಹಯುಗಂ || ೨೭||

O Kamakshi! the pair of your lotus feet are in contact with the brightness of the nails (ನಖರರುಚಿ) even as the mind of the poets is in contact with the taste of the nails(ನಖರರುಚಿ)
[poets, in their creative effort, often bite their nails while in deep thought or imagination].   They are full of sound of the tinkling  of the anklets (ಹಂಸಕರವೈಃ) just as the heavenly Ganga is full of sound of the swans (ಹಂಸಕರವೈಃ).  They are also beautiful with a bright crimson tinge as the morning sunrise. May Those lotus feet of Kamakshi shine in my heart.

ಸದಾ ಕಿಂ ಸಂಪರ್ಕಾತ್ಪ್ರಕೃತಿಕಠಿನೈರ್ನಾಕಿಮುಕುಟೈ-
ಸ್ತಟೈರ್ನೀಹಾರಾದ್ರೇರಧಿಕಮಣುನಾ ಯೋಗಿಮನಸಾ|
ವಿಭಿಂತೇ ಸಂಮೋಹಂ ಶಿಶಿರಯತಿ ಭಕ್ತಾನಪಿ ದೃಶಾ-
ಮದೃಶ್ಯಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಕಟಯತಿ ತೇ ಪಾದಯುಗಲಂ || ೨೮||

O Kamkshi! Your lotus feet always come in contact with the naturally hard crowns of the celestials (when they bow down at your feet).  They also come in contact with the valleys of Himavan (as your the daughter of Himavan  covered with snow) and the minds of yogis which are very subtle, very minute.  Is it because of this that they destroy delusion (because of their contact with hard objects) and cools the hearts of devotees (because of their contact with snow-covered valleys) and reveals things which are not visible to the naked eye (because of their contact with the minds of yogis)?

ಪವಿತ್ರಾಭ್ಯಾಮಂಬ ಪ್ರಕೃತಿಮೃದುಲಾಭ್ಯಾಂ ತವ ಶಿವೇ
ಪದಾಭ್ಯಾಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಸಭಮಭಿಭೂತೈಃ ಸಚಕಿತೈಃ|
ಪ್ರವಾಲೈರಂಭೋಜೈರಪಿ ಚ ವನವಾಸವ್ರತದಶಾಃ
ಸದೈವಾರಭ್ಯಂತೇ ಪರಿಚರಿತನಾನಾದ್ವಿಜಗಣೈಃ || ೨೯||

O Mother,  Consort of Shiva! tender leaves  and lotuses are threatened and frightened by your purifying and naturally soft lotus feet.  They therefore always start vanavasavrata (vow to stay in the forest) initiated by    different kinds of birds. (It also could mean they observed vanavasa guided by brahmins because ದ್ವಿಜ means birds as well as brahmins)  

ಚಿರಾದ್ದೃಶ್ಯಾ  ಹಂಸೈಃ ಕಥಮಪಿ ಸದಾ ಹಂಸಸುಲಭಂ
ನಿರಸ್ಯಂತೀ ಜಾಡ್ಯಂ ನಿಯತಜಡಮಧ್ಯೈಕಶರಣಂ|
ಅದೋಷವ್ಯಾಸಂಗಾ ಸತತಮಪಿ ದೋಷಾಪ್ತಿಮಲಿನಂ
ಪಯೋಜಂ ಕಾಮಾಕ್ಷ್ಯಾಃ ಪರಿಹಸತಿ ಪಾದಾಬ್ಜಯುಗಲೀ || ೩೦||



The lotus feet of Kamakshi is seen by paramahamsas or yogis (ಹಂಸೈಃ) after a long time but the lotus is easily obtained by swans (ಹಂಸಸುಲಭಂ). The former drives away dullness (ಜಾಡ್ಯಂ) but the latter’s refuge is in the centre of water (ಜಡಮಧ್ಯೈಕಶರಣಂ).  The former does not attach to anything bad but the latter is in contact with muddy water.
Thus the lotus-feet of Kamakshi mocks at the lotus.


ಸುರಾಣಾಮಾನಂದಪ್ರಬಲನತಯಾ ಮಂಡನತಯಾ
ನಖೇಂದುಜ್ಯೋತ್ಸ್ನಾಭಿರ್ವಿಸೃಮರತಮಃ ಖಂಡನತಯಾ |
ಪಯೋಜಶ್ರೀದ್ವೇಷವ್ರತರತತಯಾ ತ್ವಚ್ಚರಣಯೋ-
ರ್ವಿಲಾಸಃ ಕಾಮಾಕ್ಷಿ ಪ್ರಕಟಯತಿ ನೈಶಾಕರದಶಾಂ || ೩೧||

O Kamakshi ! the actions of your feet reveal they are akin to the moon.  Like the moon they enhance the joy of the celestials as they bow to them.   Like the moon, the rays from their toes dispel the darkness (of ignorance).  Again like the moon, they make the lotus unhappy because    they compete with it in beauty, softness and colour.

ಸಿತಿಮ್ನಾ ಕಾಂತೀನಾಂ ನಖರಜನುಷಾಂ ಪಾದನಲಿನ-
ಚ್ಛವೀನಾಂ ಶೋಣಿಮ್ನಾ ತವ ಜನನಿ ಕಾಮಾಕ್ಷಿ ನಮನೇ|
ಲಭಂತೇ ಮಂದಾರಗ್ರಥಿತನವಬಂಧೂಕಕುಸುಮ-
ಸ್ರಜಾಂ ಸಾಮೀಚೀನ್ಯಂ ಸುರಪುರಪುರಂಧ್ರೀಕಚಭರಾಃ || ೩೨||

O Kamakshi! when celestial damsels bow down at your feet, their locks get, as it were,  a garland made of white mandara and red hibiscus flowers from the bright whiteness emanating from your toe nails and the bright redness from your lotus feet.

ನಖಶ್ರೀಸಂನದ್ಧಸ್ತಬಕನಿಚಿತಃ ಸ್ವೈಶ್ಚ ಕಿರಣೈಃ
ಪಿಶಂಗೈಃ ಕಾಮಾಕ್ಷಿ ಪ್ರಕಟಿತಲಸತ್ಪಲ್ಲವರುಚಿಃ|
ಸತಾಂ ಗಮ್ಯಃ ಶಂಕೇ ಸಕಲಫಲದಾತಾ ಸುರತರು-
ಸ್ತ್ವದೀಯಃ ಪಾದೋಽಯಂ ತುಹಿನಗಿರಿರಾಜನ್ಯತನಯೇ || ೩೩||

O Daughter of Himavan! the bright white rays from your toe nails create the impression of white blossoms and the red rays from your feet resemble the tender leaves.  I  think that your lotus feet is the wish-yielding tree of heaven which fulfils all wishes  and which is sought after by the good.

ಸ್ಫುರನ್ಮಧ್ಯೇ ಶುದ್ಧೇ ನಖಕಿರಣದುಗ್ಧಾಬ್ಧಿಪಯಸಾಂ
ವಹನ್ನಬ್ಜಂ ಚಕ್ರಂ ದರಮಪಿ ಚ ಲೇಖಾತ್ಮಕತಯಾ|
ಶ್ರಿತೋ ಮಾತ್ಸ್ಯಂ ರೂಪಂ ಶ್ರಿಯಮಪಿ ದಧಾನೋ ನಿರುಪಮಾಂ
ತ್ರಿಧಾಮಾ ಕಾಮಾಕ್ಷ್ಯಾಃ ಪದನಲಿನನಾಮಾ ವಿಜಯತೇ || ೩೪||

Victory to the lotus feet of Kamakshi which shine from the bright white rays of the toe nails resembling the waters of the milky ocean, which  have fine lines depicting the lotus, the disc and the conch, which have taken  the form of  fish and which have  matchless beauty.



ವಷಟ್ಕುರ್ವನ್ಮಾಂಜೀರಜಕಲಕಲೈಃ
ಹವೀಂಷಿ ಪ್ರೋದ್ದಂಡಂ ಜ್ವಲತಿ ಪರಮಜ್ಞಾನದಹನೇ|
ಮಹೀಯಾನ್ಕಾಮಾಕ್ಷಿ ಸ್ಫುಟಮಹಸಿ ಜೋಹೋತಿ ಸುಧಿಯಾಂ
ಮನೋವೇದ್ಯಾಂ ಮಾತಸ್ತವ ಚರಣಯಜ್ವಾ ಗಿರಿಸುತೇ || ೩೫||

O Daughter of Himavan Kamakshi! Your lotus feet is the performer  of sacrifice (ಯಜ್ವಾ). The mind of the wise is the platform where the sacrifice is performed.  The tinkling sound of your anklets is the Vashatkriya.  The waves of karma is the havis which flares up and burns up all ignorance.  

ಮಹಾಮಂತ್ರಂ ಕಿಂಚಿನ್ಮಣಿಕಟಕನಾದೈರಿವ ಜಪ-
ನ್ಕ್ಷಿಪಂದಿಕ್ಷು ಸ್ವಚ್ಛಂ ನಖರುಚಿಮಯಂ ಭಾಸ್ಮನರಜಃ |
ನತಾನಾಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಕೃತಿಪಟುರುಚ್ಚಾಟ್ಯ ಮಮತಾ-
ಪಿಶಾಚೀಂ ಪಾದೋಽಯಂ ಪ್ರಕಟಯತಿ ತೇ ಮಾಂತ್ರಿಕದಶಾಂ || ೩೬||

O Kamakshi ! your feet exhibit the characteristics of a mantrika.  The tinkling of your diamond-studded anklets is like chanting of mantras.  The rays of pure white emanating from your toe nails is like the blowing of ashes by the mantrika.  Like the mantrika, your lotus feet, naturally efficient, drives away the ghost from the mind.  The ghost in this case is egotism (the sense of ‘I’ and ‘Mine’)  or attachment to worldly objects

ಉದೀತೇ ಬೋಧೇಂದೌ ತಮಸಿ ನಿತರಾಂ ಜಗ್ಮುಷಿ ದಶಾಂ
ದರಿದ್ರಾಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಕಟಮನುರಾಗಂ ವಿದಧತೀ
ಸಿತೇನಾಚ್ಛಾದ್ಯಾಂಗಂ ನಖರುಚಿಪಟೇನಾಂಘ್ರಿಯುಗಲೀ-
ಪುರಂಧ್ರೀ ತೇ ಮಾತಃ ಸ್ವಯಮಭಿಸರತ್ಯೇವ ಹೃದಯಂ || ೩೭||

O Mother Kamakshi! When the moon of Knowledge rises and the darkness of ignorance is dispelled, the damsel of your lotus feet, manifesting love, covers herself with the white cloth of the bright rays of the nails and secretly seeks out and enters the heart.

ದಿನಾರಂಭಃ ಸಧ್ರ್ಯಙ್ನಲಿನವಿಪಿನಾನಾಮಭಿನವೋ
ವಿಕಾಸೋ ವಾಸಂತಃ ಸುಕವಿಪಿಕಲೋಕಸ್ಯ ನಿಯತಂ|
ಪ್ರದೋಷಃ ಕಾಮಾಕ್ಷಿ ಪ್ರಕಟಪರಮಜ್ಞಾನಶಶಿನ-
ಶ್ಚಕಾಸ್ತಿ ತ್ವತ್ಪಾದಸ್ಮರಣಮಹಿಮಾ ಶೈಲತನಯೇ|| ೩೮||

O Kamakshi! Daughter of Himavan! the greatness of remembering your lotus feet is that it makes the devotee a great poet like the cuckoo in the spring season when the beginning of the day ( sunrise, earlier life) is marked by the fresh blossoming of forests of lotuses ( the bright crimson of your lotus feet) and the evening (sunset, later life) is marked by the appearance  of the moon of Ultimate Knowledge (the bright white rays from your toe nails).
     


ಧೃತಚ್ಛಾಯಂ ನಿತ್ಯಂ ಸರಸಿರುಹಮೈತ್ರೀಪರಿಚಿತಂ
ನಿಧಾನಂ ದೀಪ್ತೀನಾಂ ನಿಖಿಲಜಗತಾಂ ಬೋಧಜನಕಂ|
ಮುಮುಕ್ಷೂಣಾಂ ಮಾರ್ಗಪ್ರಥನಪಟು ಕಾಮಾಕ್ಷಿ ಪದವೀಂ
ಪದಂ ತೇ ಪಾತಂಗೀಂ ಪರಿಕಲಯತೇ ಪರ್ವತಸುತೇ|| ೩೯||

O Kamakshi! your lotus feet take on the position of the Sun by providing shade (to devotees), by being friendly to the lotus, by being the repository of all things bright, by imparting knowledge to all the worlds, by showing the path to those who want to attain liberation.

ಶನೈಸ್ತೀರ್ತ್ವಾ ಮೋಹಾಂಬುಧಿಮಥ ಸಮಾರೊಢುಮನಸಃ
ಶ್ರಮಾತ್ಕೈವಲ್ಯಾಖ್ಯಾಂ ಸುಕೃತಿಸುಲಭಾಂ ಸೌಧವಲಭೀಂ|
ಲಭಂತೇ ನಿಃಶ್ರೆಣೀಮಿವ ಝಟಿತಿ ಕಾಮಾಕ್ಷಿ ಚರಣಂ
ಪುರಶ್ಚರ್ಯಾಭಿಸ್ತೇ ಪುರಮಥನಸೀಮಂತಿನಿ ಜನಾಃ || ೪೦||

O Kamakshi! consort of the destroyer of the triple cities!
Those who have slowly crossed this ocean of delusion which is samsara and are desirous of ascending the mansion of kaivalya (the highest state) get your feet as the ladder by devotional service at your lotus feet.




ಪ್ರಚಂಡಾರ್ತಿಕ್ಷೋಭಪ್ರಮಥನಕೃತೇ ಪ್ರಾತಿಭಸರಿ-
ತ್ಪ್ರವಾಹಪ್ರೋದ್ದಂಡೀಕರಣಜಲದಾಯ ಪ್ರಣಮತಾಂ |
ಪ್ರದೀಪಾಯ ಪ್ರೌಢೇ ಭವತಮಸಿ ಕಾಮಾಕ್ಷಿ ಚರಣ-
ಪ್ರಸಾದೌನ್ಮುಖ್ಯಾಯ ಸ್ಪೃಹಯತಿ ಜನೋಽಯಂ ಜನನಿ ತೇ || ೪೧||

O Mother Kamakshi ! your lotus feet are like the clouds from which ensues torrential rains causing a flood of knowledge annihilating the greed and anger of those who prostrate before you.   I, on my part, would like to have the prasada (grace, blessing) of your lotus feet, the lamp which would dispel the darkness of samsara

ಮರುದ್ಭಿಃ ಸಂಸೇವ್ಯಾ ಸತತಮಪಿ ಚಾಂಚಲ್ಯರಹಿತಾ
ಸದಾರುಣ್ಯಂ ಯಾಂತೀ ಪರಿಣತಿದರಿದ್ರಾಣಸುಷಮಾ|
ಗುಣೋತ್ಕರ್ಷಾನ್ಮಂಜೀರಜಕಲಕಲೈಸ್ತರ್ಜನಪಟುಃ
ಪ್ರವಾಲಂ ಕಾಮಾಕ್ಷ್ಯಾಃ ಪರಿಹಸತಿ ಪಾದಾಬ್ಜಯುಗಲೀ || ೪೨||

The lotus feet of Kamakshi mocks at the coral because
the former is always moving as the wind but the latter is without movement;  the former is always bright red but the latter loses it shine as it ages and the former has the good good quality of generating the sweet tinkling of its anklets while the latter is good at creating only harsh  sound.

ಜಗದ್ರಕ್ಷಾದಕ್ಷಾ ನಲಿನರುಚಿಶಿಕ್ಷಾಪಟುತರಾ
ಸುರೈರ್ನಮ್ಯಾ ರಮ್ಯಾ ಸತತಮಭಿಗಮ್ಯಾ ಬುಧಜನೈಃ|
ದ್ವಯೀ ಲೀಲಾಲೋಲಾ ಶ್ರುತಿಷು ಸುರಪಾಲಾದಿಮುಕುಟೀ-
ತಟೀಸೀಮಾಧಾಮ ತವ ಜನನಿ ಕಾಮಾಕ್ಷಿಪದಯೋಃ || ೪೩||

The pair of your lotus feet are capable of protecting all the worlds.  They are skilled in teaching good conduct. The celestials bow down before it and they are beautiful.  They are always approachable by the wise (sages). The Vedas and Upanishads are their play fields and they are the boundary for the crowns Indra and others wear on their heads.
ಗಿರಾಂ ದೂರೌ ಚೋರೌ ಜಡಿಮತಿಮಿರಾಣಾಂ ಕೃತಜಗ-
ತ್ಪರಿತ್ರಾಣೌ ಶೋಣೌ ಮುನಿಹೃದಯಲೀಲೈಕನಿಪುಣೌ|
ನಖೈಃ ಸ್ಮೇರೌ ಸಾರೌ ನಿಗಮವಚಸಾಂ ಖಂಡಿತಭವ-
ಗ್ರಾಹೋನ್ಮಾದೌ ಪಾದೌ ಮಮ ಮನಸಿ ಕಾಮಾಕ್ಷಿ ಕಲಯೇ || ೪೪||
O kamakshi! I see before my mind’s eye your lotus feet which are far removed from words, which destroy dullness and darkness of ignorance, which protect the worlds, which are good at playing in the hearts of sages, which appear smiling from the brightness of the toe nails, which are the essence of the Upanishads and which stop the madness of the samsara-alligator

ಅವಿಶ್ರಾಂತಂ ಪಂಕಂ ಯದಪಿ ಕಲಯನ್ಯಾವಕಮಯಂ
ನಿರಸ್ಯನ್ಕಾಮಾಕ್ಷಿ ಪ್ರಣಮನಜುಷಾಂ ಪಂಕಮಖಿಲಂ|
ತುಲಾಕೋಟಿದ್ವಂದ್ವಂ ದಧದಪಿ ಚ ಗಚ್ಛನ್ನತುಲತಾಂ
ಗಿರಾಂ ಮಾರ್ಗಂ ಪಾದೋ ಗಿರಿವರಸುತೇ ಲಂಘಯತಿ ತೇ || ೪೫||

O Kamakshi! though your lotus feet is being dirtied (smeared) with the liquid lac dye  they remove all the dirt from the mind of those who prostrate before them. Though they wear two anklets (ತುಲಾಕೋಟಿ) they are without comparison (ಅತುಲತಾ). O Daughter of Himavan! your lotus feet transcend the path of words.

ಪ್ರವಾಲಂ ಸವ್ರೀಡಂ ವಿಪಿನವಿವರೇ ವೇಪಯತಿ ವಾ
ಸ್ಫುರಲ್ಲೀಲಂ ಬಾಲಾತಪಮಧಿಕಬಾಲಂ ದಧತಿ ಯಾ |
ರುಚಿಂ ಸಾಂಧ್ಯಾಂ ವಂಧ್ಯಾಂ ವಿರಚಯತಿ ಯಾ ವರ್ಧಯತು ಸಾ
ಶಿವಂ ಮೇ ಕಾಮಾಕ್ಷ್ಯಾಃ ಪದನಲಿನಪಾಟಲ್ಯಲಹರೀ || ೨.೪೬||

Let the red tinge in the lotus feet of Kamakshi  make the leaf buds in the forest tremble,  let them playfully make the morning sunlight still more red or make the brightness of evening twilight useless.  May the waves of redness in the feet of Kamakshi increase my auspiciousness.

ಕಿರಂಜ್ಯೋತ್ಸ್ನಾರೀತಿಂ ನಖಮಣಿರುಚಾ ಹಂಸಮನಸಾಂ
ವಿತನ್ವಾನಃ ಪ್ರೀತಿಂ ವಿಕಚತರುಣಾಂಭೋಜರುಚಿಃ|
ಪ್ರಕಾಶಃ ಶ್ರೀಪಾದಸ್ತವ ಜನನಿ ಕಾಮಾಕ್ಷಿ ತನುತೇ
ಶರತ್ಕಾಲಪ್ರೌಢಿಂ ಶಶಿಶಕಲಚೂಡಪ್ರಿಯತಮೇ || ೪೭||

O Mother Kamakshi! Consort of Shiva who wears the crescent moon on his head! your lotus feet radiates  moonlight by the white brightness of your toe nails and please the hearts of saints.  They are of the red colour of freshly blooming lotuses. Thus the brightness of your pretty feet creates the season of sharat (the season after the rainy season)  


ನಖಾಂಕೂರಸ್ಮೇರದ್ಯುತಿವಿಮಲಗಂಗಾಂಭಸಿ ಸುಖಂ
ಕೃತಸ್ನಾನಂ ಜ್ಞಾನಾಮೃತಮಲಮಾಸ್ವಾದ್ಯ ನಿಯತಂ|
ಉದಂಚನ್ಮಾಂಜೀರಸ್ಫುರಣಮಣಿದೀಪೇ ಮಮ ಮನೋ
ಮನೋಜ್ಞೇ ಕಾಮಾಕ್ಷ್ಯಾಶ್ಚರಣಮಣಿಹರ್ಮ್ಯೇ ವಿಹರತಾಂ || ೪೮||

O Kamakshi! the brightness radiating from your toe nails which is like a bright smile resemble the sparkling waters of Ganga in which mind takes a pleasant bath and having drunk to the heart’s fill the nectar of Knowledge, may that mind of mine play at Kamakshi’s lotus feet which are pretty and are lighted by the sparkling gems in the anklets

ಭವಾಂಬೋಧೌ ನೌಕಾಂ ಜಡಿಮವಿಪಿನೇ ಪಾವಕಶಿಖಾಂ
ಪ್ರಣಮ್ರೇಂದ್ರಾದೀನಾಮಧಿಮುಕುಟಮುತ್ತಂಸಕಲಿಕಾಂ|
ಜಗತ್ತಾಪಜ್ಯೋತ್ಸ್ನಾಮಕೃತಕವಚಃ ಪಂಜರಪುಟೇ
ಶುಕಸ್ತ್ರೀಂ ಕಾಮಾಕ್ಷ್ಯಾ ಮನಸಿ ಕಲಯೇ ಪಾದಯುಗಲೀಂ || ೪೯||

The lotus feet of Kamakshi are the boat for crossing the ocean of this samsara.  They are like fire in the forest of dullness.  They are the head ornament of Indra and other celestials who bow down at them.  They are like the moonlight for the heat (misery) of the worlds. They are like the female parrot in the cage which is not closed.  


ಪರಾತ್ಮಪ್ರಾಕಾಶ್ಯಪ್ರತಿಫಲನಚುಂಚುಃಪ್ರಣಮತಾಂ
ಮನೋಜ್ಞಸ್ತ್ವತ್ಪಾದೋ ಮಣಿಮುಕುರಮುದ್ರಾಂ ಕಲಯತೇ|
ಯದೀಯಾಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಕೃತಿಮಸೃಣಾಃ ಶೋಧಕದಶಾಂ
ವಿಧಾತುಂ ಚೇಷ್ಟಂತೇ ಬಲರಿಪುವಧೂಟೀಕಚಭರಾಃ || ೫೦||

O Kamakshi! Your pretty feet act as a mirror of diamonds capable of reflecting the effulgence of the Paratman (Higher Self) for those who prostrate before you.  It seems as if the naturally soft hair on the heads of celestial damsels tries to wipe this mirror clean, as they bow down at Your feet.

ಮೂಕಪಂಚಶತೀ ಪಾದಾರವಿಂದಶತಕಂ: ೧ - ೨೫


ಮೂಕಪಂಚಶತೀ (ಮೂಕಕವಿ ಪ್ರಣೀತಾ)
             ಪಾದಾರವಿಂದಶತಕಂ
            (slokas ೧ to ೨೫)
Mooka Panchashati is a devotional composition by Muka Kavi dedicated to Kamakshi. The real name of the poet is not known. Legend has it that he was born dumb but regained not only his voice  by  the grace of Goddess Kamakshi but also became a poet of considerable merit. Mooka Panchashati  consists of five satakams, each Satakam containing ೧೦೦ verses. The Satakams  are Arya Satakam, Padaravinda Satakam, Stuti Satakam, Kataksha Satakam and Mandasmita Satakam.

Goddess Kamakshi is the presiding deity of Kancheepuram.  Her consort is Ekamreshwara, an aspect of Lord Shiva.  Kanchi is the Central Peetham established by Aadi Shankaracharya who installed and consecrated the  idol of Kamakshi and established the system of worship there. The other  Peethams are at Badrinath in the North, Dwarka in theWest,  Puri in the East and Sringeri (Sringa giri) in the South.

The translation into English of a hymn of this nature is a delicate task and readers may kindly pardon the shortcomings, though every attempt has been made to make the translation as close as possible to the intended or perceived meaning.

ಮಹಿಮ್ನಃ ಪಂಥಾನಂ ಮದನಪರಿಪಂಥಿಪ್ರಣಯಿನಿ
ಪ್ರಭುರ್ನಿರ್ಣೇತುಂ ತೇ ಭವತಿ ಯತಮಾನೋಽಪಿ ಕತಮಃ
ತಥಾಪಿ ಶ್ರೀಕಾಂಚೀವಿಹೃತಿರಸಿಕೇ ಕೋಽಪಿ ಮನಸೋ
ವಿಪಾಕಸ್ತ್ವತ್ಪಾದಸ್ತುತಿವಿಧಿಷು ಜಲ್ಪಾಕಯತಿ ಮಾಂ || ೧||

O Consort of Kama’s Enemy (Shiva) who revels in sporting in Kanchi!  who can measure the magnitude of your greatness even after straining himself to the limit of his abilities?  In spite of it, a quirk of my mind has engaged me in singing your praises though it is only the prattle of a fool like me.

ಗಲಗ್ರಾಹೀ ಪೌರಂದರಪುರವನೀಪಲ್ಲವರುಚಾಂ
ಧೃತಪ್ರಾಥಮ್ಯಾನಾಮರುಣಮಹಸಾಮಾದಿಮಗುರುಃ
ಸಮಿಂಧೇ ಬಂಧೂಕಸ್ತಬಕಸಹಯುಧ್ವಾ ದಿಶಿ ದಿಶಿ
ಪ್ರಸರ್ಪನ್ಕಾಮಾಕ್ಷ್ಯಾಶ್ಚರಣಕಿರಣಾನಾಮರುಣಿಮಾ || ೨||

The redness of the rays emanating from the lotus feet of Kamakshi and spreading in all directions excels the red colour of the tender leaves in Nandanavana, in the city of Indra.  It is the ancient of teacher of all objects with effulgence of bright red colour and it fights the redness of  hibiscus flower  blossoms.


ಮರಾಲೀನಾಂ  ಯಾನಾಭ್ಯಾಸಕಲನಾಮೂಲಗುರುವೇ
ದರಿದ್ರಾಣಾಂ ತ್ರಾಣವ್ಯತಿಕರಸುರೋದ್ಯಾನತರವೇ|
ತಮಸ್ಕಾಂಡಪ್ರೌಢಿಪ್ರಕಟನತಿರಸ್ಕಾರಪಟವೇ
ಜನೋಽಯಂ ಕಾಮಾಕ್ಷ್ಯಾಶ್ಚರಣನಲಿನಾಯ ಸ್ಪೃಹಯತೇ || ೩||

I yearn for the lotus feet of Kamakshi which taught the female swans their beautiful gait,  which are like the wish-yielding tree of heaven for the poor and which are skilled in dispelling the densest of darkness.

ವಹಂತೀ ಸೈಂದೂರೀಂ ಸರಣಿಮವನಮ್ರಾಮರಪುರೀ-
ಪುರಂಧ್ರೀ ಸೀಮಂತೇ ಕವಿಕಮಲಬಾಲಾರ್ಕಸುಷಮಾ|
ತ್ರಯೀಸೀಮಂತಿನ್ಯಾಃ ಸ್ತನತಟನಿಚೋಲಾರುಣಪಟೀ
ವಿಭಾಂತೀ ಕಾಮಾಕ್ಷ್ಯಾಃ ಪದನಲಿನಕಾಂತಿರ್ವಿಜಯತೇ || ೪||

Victory to the radiance of Kamakshi’s lotus feet which spreads the red colour,  bright as the rays of the rising sun,  in the seemanta (the line which is formed on the head by parting the hair at the centre)  of celestial women who bow down at the feet and which shines as the red cloth covering the  breasts of the three Vedas ( which have assumed a feminine form)

ಪ್ರಣಮ್ರೀಭೂತಸ್ಯ ಪ್ರಣಯಕಲಹತ್ರಸ್ತಮನಸಃ
ಸ್ಮರಾರಾತೇಶ್ಚೂಡಾವಿಯತಿ ಗೃಹಮೇಧೀ ಹಿಮಕರಃ
ಯಯೋಃ ಸಾಂಧ್ಯಂ ಕಾಂತಿಂ ವಹತಿ ಸುಷಮಾಭಿಶ್ಚರಣಯೋ-
ಸ್ತಯೋರ್ಮೇ ಕಾಮಾಕ್ಷ್ಯಾ ಹೃದ್ಯಯಮಪತಂದ್ರಂ  ವಿಹರತಾಂ || ೫||

May the heart of mine revel,  shaking off all laziness,  at the feet of Kamakshi the brightness of which is carried by the evening moon which is lodged in the head-sky of the Enemy of Kama (Shiva) who bows down at Kamakshi’s feet fearing her displeasure because of  love-quarrel.


ಯಯೋಃ ಪೀಠಾಯಂತೇ ವಿಬಿಧಮುಕುಟೀನಾಂ ಪಟಲಿಕಾ
ಯಯೋಃ ಸೌಧಾಯಂತೇ ಸ್ವಯಮುದಯಭಾಜೋ ಭಣಿತಯಃ |
ಯಯೋರ್ದಾಸಾಯಂತೇಸರಸಿಜಭವಾದ್ಯಾಶ್ಚರಣಯೋ-
ಸ್ತಯೋರ್ಮೇ ಕಾಮಾಕ್ಷ್ಯಾ ದಿನಮನು ವರೀವರ್ತು ಹೃದಯಂ  || ೬||

Let my heart meditate daily on the lotus-feet of Kamakshi which has the rows of crowns of celestials (who bow down at the feet) as peetha ( foot-stool on which the feet are paced), the words of praise which spontaneously arise from their hearts as the palace and Brahma and other celestials  as servants.

ನಯಂತೀ ಸಂಕೋಚಂ ಸರಸಿಜರುಚಂ ದಿಕ್ಪರಿಸರೇ
ಸೃಜಂತೀ ಲೌಹಿತ್ಯಂ ನಖಕಿರಣಚಂದ್ರಾರ್ಧಖಚಿತಾ|
ಕವೀಂದ್ರಾಣಾಂ ಹೃತ್ಕೈರವವಿಕಸನೋದ್ಯೋಗಜನನೀ
ಸ್ಫುರಂತೀ ಕಾಮಾಕ್ಷ್ಯಾಶ್ಚರಣರುಚಿಸಂಧ್ಯಾ ವಿಜಯತೇ|| ೭||

Victory to the sunset of red brightness of the feet of Kamakshi which makes the lotus flowers everywhere close,  which creates redness combined with the bright white rays from the nails resembling half moons which cause the heart-lilies of poets to blossom.

ವಿರಾವೈರ್ಮಾಂಜೀರೈಃ ಕಿಮಪಿ ಕಥಯಂತೀವ ಮಧುರಂ
ಪುರಸ್ತಾದಾನಮ್ರೇ ಪುರವಿಜಯಿನಿ ಸ್ಮೇರವದನೇ|
ವಯಸ್ಯೇವ ಪ್ರೌಢಾ ಶಿಥಿಲಯತಿ ಯಾ ಪ್ರೇಮಕಲಹ-
ಪ್ರರೋಹಂ ಕಾಮಾಕ್ಷ್ಯಾಶ್ಚರಣಯುಗಲೀ ಸಾ ವಿಜಯತೇ || ೮||

Victory to the lotus feet of Kamakshi which tell something sweet by the tinkling of the anklets when Lord Shiva, with a smile on his face, bows down before them and, like a mature friend, loosen the chances of a love-quarrel arising.  

ಸುಪರ್ಣಸ್ತ್ರೀಲೋಲಾಲಕಪರಿಚಿತಂ ಷಟ್ಪದಕುಲೈಃ
ಸ್ಫುರಲ್ಲಾಕ್ಷಾರಾಗಂ ತರುಣತರಣಿಜ್ಯೋತಿರರುಣೈಃ|
ಭೃತಂ ಕಾಂತ್ಯಂಭೋಭಿರ್ವಿಸೃಮರಮರಂದೈಃ ಸರಸಿಜೈ-
ರ್ವಿಧತ್ತೇ ಕಾಮಾಕ್ಷ್ಯಾಶ್ಚರಣಯುಗಲಂ ಬಂಧುಪದವೀಂ || ೯||

O Kamakshi! your lotus feet is familiar with the soft and silky dark hair of celestial damsels which resemble a swarm of bees.  They shine with the red colour of liquid lac like the red luminosity of the rising sun.  They are full of radiance just like flower-honey dripping lotuses.  Thus your lotus feet have taken to the path of friendship (with the bees, the sun and the lotus)

ರಜಃಸಂಸರ್ಗೇಽಪಿ ಸ್ಥಿರಮರಜಸಾಮೇವ ಹೃದಯೇ
ಪರಂ ರಕ್ತತ್ವೇನ ಸ್ಥಿತಮಪಿ ವಿರಕ್ತೈಕಶರಣಂ|
ಅಲಭ್ಯಂ ಮಂದಾನಾಂ ದಧದಪಿ ಸದಾ ಮಂದಗತಿತಾಂ
ವಿಧತ್ತೇ ಕಾಮಾಕ್ಷ್ಯಾಶ್ಚರಣಯುಗಲಮಾಶ್ಚರ್ಯಲಹರೀಂ || ೧೦||

Though the lotus feet of Kamakshi are associated with red(ರಜಸ್) they are firmly established only in the heart of people who do not possess rajoguna (ಅರಜಸ್)  Though they are red (ರಕ್ತ) they provide refuge only to those who are unattached (ವಿರಕ್ತ).  Though they are slow (ಮಂದ) they are attainable only by the wise (ಅಮಂದ). (Because of these contradictions) O Kamakshi! your lotus feet produce waves of wonderment.
[Note: The poet has made use of words with two meanings to create virodhaabhasa (seeming contradiction) which is a figure of speech used by poets for embellishing poetry].



ಜಟಾಲಾ ಮಂಜೀರಸ್ಫುರದರುಣರತ್ನಾಂಶುನಿಕರೈ-
ರ್ನಿಷೀದಂತೀ ಮಧ್ಯೇ ನಖರುಚಿಝರೀಗಾಂಗಪಯಸಾಂ |
ಜಗತ್ತ್ರಾಣಂ ಕರ್ತುಂ ಜನನಿ ಮಮ ಕಾಮಾಕ್ಷಿ ನಿಯತಂ
ತಪಶ್ಚರ್ಯಾಂ ಧತ್ತೇ ತವ ಚರಣಪಾಥೋಜಯುಗಲೀ || ೧೧||

O Kamakshi!  The rays of red colour emitted by the gems in your anklets resemble matted hair of a tapaswi  and the bright white rays from the toe nails resemble the waters of the Ganga in the middle of which the feet are seated. Thus my Mother ! your feet  are engaged in doing tapas in order to protect the worlds.

ತುಲಾಕೋಟಿದ್ವಂದ್ವಕ್ವಣಿತಭಣಿತಾಭೀತಿವಚಸೋ-
ರ್ವಿನಮ್ರಂ ಕಾಮಾಕ್ಷ್ಯಾ ವಿಸೃಮರಮಹಃಪಾಟಲಿತಯೋಃ|
ಕ್ಷಣಂ ವಿನ್ಯಾಸೇನ ಕ್ಷಪಿತತಮಸೋರ್ಮೇ ಲಲಿತಯೋಃ
ಪುನೀಯಾನ್ಮೂರ್ಧಾನಂ ಪುರಹರಪುರಂಧ್ರೀ ಚರಣಯೊ: || ೧೨||

May Goddess Kamakshi, Consort of Shiva,  purify my head,  which is bent down before her,  by placing  her feet on it for the fraction of a second. The tinkling of the anklets on the feet seem to speak words which allay fears. Those lotus feet have radiant crimson brightness, are delicate and dispel the darkness of my ignorance.


ಭವಾನಿ ದ್ರುಹ್ಯೇತಾಂ ಭವನಿಬಿಡಿತೇಭ್ಯೋ ಮಮ ಮುಹು-
ಸ್ತಮೋವ್ಯಾಮೋಹೇಭ್ಯಸ್ತವ ಜನನಿ ಕಾಮಾಕ್ಷಿ ಚರಣೌ|
ಯಯೋರ್ಲಾಕ್ಷಾಬಿಂದುಸ್ಫುರಣಧರಣಾದ್ಧೂರ್ಜಟಿಜಟಾ-
ಕುಟೀರಾ ಶೋಣಾಂಕಂ ವಹತಿ ವಪುರೇಣಾಂಕಕಲಿಕಾ || ೧೩||

O Bhavani! May your lotus feet destroy my ignorance and delusions which are fortified by my strong attachment to this samsara.  Drops of liquid lac dye on your feet attach themselves to the matted hair of Shiva (when He bends down at your feet) and from this the crescent moon, which has made the matted locks of shiva his home, gets a red mark on his face.

ಪವಿತ್ರೀಕುರ್ಯುರ್ನಃ ಪದತಲಭುವಃ ಪಾಟಲರುಚಃ
ಪರಾಗಾಸ್ತೇ ಪಾಪಪ್ರಶಮನಧುರೀಣಾಸ್ತವ ಶಿವೇ |
ಕಣಂ ಲಬ್ಧುಂ ಯೇಷಾಂ ನಿಜಶಿರಸಿ ಕಾಮಾಕ್ಷಿ ನಿಯತಂ
ವಲಂತೋ ವ್ಯಾತನ್ವಂತ್ಯಹಮಹಮಿಕಾಂ ವಾಸವಮುಖಾಃ || ೧೪||

O Kamakshi ! May the shining red particles from the soles of your feet, capable of freeing us from sins,  purify us. Indra and other celestials compete among themselves saying ‘I first’, ‘I first’ to get those particles and place them on their heads.  

ಬಲಾಕಾಮಾಲಾಭಿರ್ನಖರುಚಿಮಣಿಭಿಃ ಪರಿವೃತೇ
ವಿನಮ್ರಸ್ವರ್ನಾರೀವಿಕಚಕಚಕಾಲಾಂಬುದಕುಲೇ|
ಸ್ಫುರಂತಃ ಕಾಮಾಕ್ಷಿ ಸ್ಫುಟದಲಿತಬಂಧೂಕಸುಹೃದ-
ಸ್ತಡಿಲ್ಲೇಖಾಯಂತೇ ತವ ಚರಣಪಾಥೋಜಕಿರಣಾಃ || ೧೫||

O Kamakshi! the locks of celestial damsels bowing down at your feet resemble dark clouds and the radiance from your toe nails resemble a flock of balaka birds (which drink only the rain water from the clouds before it falls on the earth). The radiance  from your lotus feet  which excels the red colour of the hibiscus in full bloom becomes the streaks of lightning in the clouds.

ಸರಾಗಃ ಸದ್ವೇಷಃ ಪ್ರಸೃಮರಸರೋಜೇ ಪ್ರತಿದಿನಂ
ನಿಸರ್ಗಾದಾಕ್ರಾಮನ್ವಿಬುಧಜನಮೂರ್ಧಾನಮಧಿಕಂ |
ಕಥಂಕಾರಂ ಮಾತಃ ಕಥಯ ಪದಪದ್ಮಸ್ತವ ಸತಾಂ
ನತಾನಾಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಕಟಯತಿ ಕೈವಲ್ಯಸರಣಿಂ || ೧೬||

O Kamakshi ! Your feet are red in colour ( This also means ‘Your feet have attachment’).  They compete with the lotus daily with their softness, tenderness and red colour  (It also means they hate the lotus).  They naturally attract towards themselves the heads of the celestials who bow down at your feet.  (It also means it attacks the heads of the celestials).  Tell me O Mother! how your lotus feet can show to the good who bow to you the path to Kaivalya (Mukti, Liberation)? (since they have such negative qualities such as  attachment, hate etc. which are inconsistent with Kaivalya)

ಜಪಾಲಕ್ಷ್ಮೀಶೋಣೋ ಜನನಿ ಪರಮಜ್ಞಾನನಲಿನೀ-
ವಿಕಾಸವ್ಯಾಸಂಗೋ ವಿಫಲಿತಜಗಜ್ಜಾಡ್ಯಗರಿಮಾ|
ಮನಃಪೂರ್ವಾದ್ರಿಂ ಮೇ ತಿಲಕಯತು ಕಾಮಾಕ್ಷಿ ತರಸಾ
ತಮಸ್ಕಾಂಡದ್ರೋಹೀ ತವ ಚರಣಪಾಥೇಜರಮಣಃ||  ೧೭||

O Mother Kamakshi! may the rising sun of your lotus feet which is of the beautiful red colour of japa  flowers, which wants the lotus of Ultimate Knowledge to bloom, which destroys the dumbness of the world and which is enemy of the dense darkness of ignorance,  light up the East-mountain of my mind.

ನಮಸ್ಕುರ್ಮಃ ಪ್ರೇಂಖನ್ಮಣಿಕಟಕನೀಲೋತ್ಪಲಮಹಃ-
ಪಯೋಧೌ ರಿಂಖದ್ಭಿರ್ನಖಕಿರಣಫೇನೈರ್ಧವಲಿತೇ|
ಸ್ಫುಟಂ ಕುರ್ವಾಣಾಯ ಪ್ರಬಲಚಲದೌರ್ವಾನಲಶಿಖಾ-
ವಿತರ್ಕಂ ಕಾಮಾಕ್ಷ್ಯಾಃ ಸತತಮರುಣಿಮ್ನೇ ಚರಣಯೋಃ || ೧೮||


The dark blue effulgence of the gems in the anklets of Kamkshi create the impression of the dark blue sea. The red colour of Kamakshi’s feet  appear to be the conflagration of deluge (badavagni) on the surface of this sea. The radiance from the nails create the impression of foam causing whiteness of the sea. May our salutations be always to that redness of Kamakshi’s feet.
.
ಶಿವೇ ಪಾಶಾಯೇತಾಮಲಘುನಿ ತಮಃಕೂಪಕುಹರೇ
ದಿನಾಧೀಶಾಯೇತಾಂ ಮಮ ಹೃದಯಪಾಥೋಜವಿಪಿನೇ|
ನಭೋಮಾಸಾಯೇತಾಂ ಸರಸಕವಿತಾರೀತಿಸರಿತಿ
ತ್ವದೀಯೌ ಕಾಮಾಕ್ಷಿ ಪ್ರಸೃತಕಿರಣೌ ದೇವಿ ಚರಣೌ|| ೧೯||

O Devi! May your (lotus) feet which spread their radiance all around be the rope in the deep well of darkness (ignorance), the sun in the lotus forest of my heart and the rainy season in the river of
poetry full of sentiments.  

ನಿಷಕ್ತಂ ಶ್ರುತ್ಯಂತೇ ನಯನಮಿವ ಸದ್ವೃತ್ತರುಚಿರೈಃ
ಸಮೈರ್ಜುಷ್ಟಂ  ಶುದ್ಧೈರಧರಮಿವ ರಮ್ಯೈರ್ದ್ವಿಜಗಣೈಃ|
ಶಿವೇ ವಕ್ಷೋಜನ್ಮದ್ವಿತಯಮಿವ ಮುಕ್ತಾಶ್ರಿತಮುಮೇ
ತ್ವದೀಯಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಣತಶರಣಂ ನೌಮಿ ಚರಣಂ || ೨೦||

O Kamakshi! I salute your (lotus) feet which grant refuge to those who prostrate before it.  Just as the eyes meet the end of the ears (ಶ್ರುತ್ಯಂತೇ) with good news your lotus feet are placed in the end of the Vedas             (ಶ್ರುತ್ಯಂತೇ) or Upanishads.  Just as the lips are served by a pretty row of white teeth (ರಮ್ಯೈರ್ದ್ವಿಜಗಣೈಃ) your feet are served by noble brahmins(ರಮ್ಯೈರ್ದ್ವಿಜಗಣೈಃ).  Just as your breasts accommodate pearls (ಮುಕ್ತಾಶ್ರಿತಂ)  your lotus feet accommodates realised souls ((ಮುಕ್ತಾಶ್ರಿತಂ)
[The poet has made use of the words ಶ್ರುತ್ಯಂತೇ, ರಮ್ಯೈರ್ದ್ವಿಜಗಣೈಃ and ಮುಕ್ತಾಶ್ರಿತಂ  all of which have two meanings each to draw a smilirity of the lotus feet of Kamakshi with her eyes, lips and breasts]

ನಮಸ್ಯಾಸಂಸಜ್ಜನ್ನಮುಚಿಪರಿಪಂಥಿಪ್ರಣಯಿ
ನಿಸರ್ಗಪ್ರೇಂಖೋಲತ್ಕುರಲಕುಲಕಾಲಾಹಿಶಬಲೇ |
ನಖಚ್ಛಾಯಾದುಗ್ಧೋದಧಿಪಯಸಿ ತೇ ವೈದ್ರುಮರುಚಾಂ
ಪ್ರಚಾರಂ ಕಾಮಾಕ್ಷಿ ಪ್ರಚುರಯತಿ ಪಾದಾಬ್ಜಸುಷಮಾ || ೨೧||

When the consort of Indra (Indrani) bows down at your feet, the naturally oscillating ear-globes of red coral worn by her produce a reflection in the toe nails,  the whiteness of which resembles the waters of the milky ocean, and  enhances the beauty of your lotus feet.

ಕದಾ ದೂರೀಕರ್ತುಂ ಕಟುದುರಿತಕಾಕೋಲಜನಿತಂ
ಮಹಾಂತಂ ಸಂತಾಪಂ ಮದನಪರಿಪಂಥಿಪ್ರಿಯತಮೇ|
ಕ್ಷಣಾತ್ತೇ ಕಾಮಾಕ್ಷಿ ತ್ರಿಭುವನಪರೀತಾಪಹರಣೇ
ಪಟೀಯಾಂಸಂ ಲಪ್ಸ್ಯೇ ಪದಕಮಲಸೇವಾಮೃತರಸಂ || ೨೨||

O Kamakshi ! Darling of the  enemy of Cupid(Shiva)! When shall I get a taste of the nectar of serving at your lotus feet, which is very efficient in destroying the sufferings of  all the three worlds, so that I can be freed from the sorrow born out of the strong poison of my sufferings.

ಯಯೋಃ ಸಾಂಧ್ಯಂ ರೋಚಿಃ ಸತತಮರುಣಿಮ್ನಂ ಸ್ಪೃಹಯತೇ
ಯಯೋಶ್ಚಾಂದ್ರೀ ಕಾಂತಿಃ ಪರಿತಪತಿ ದೃಷ್ಟ್ವಾ ನಖರುಚಿಂ |
ಯಯೊಃ ಪಾಕೋದ್ರೇಕಂ ಪಪಠಿಷತಿ ಭಕ್ತ್ಯಾ ಕಿಸಲಯಂ
ಮ್ರದಿಮ್ನಃ ಕಾಮಾಕ್ಷ್ಯಾಃ ಮನಸಿ ಚರಣೌ ತೌ ತನುಮಹೇ || ೨೩||

The brightness of sunset always wants the reddish tinge of Kamakshi’s feet.  The brightness of the moon burns with jealousy seeing the radiance of the toe nails of Kamakshi. The tender leaves of trees want to emulate the bloom of Kamakshi’s feet. We meditate in our mind on the softness of Kamakshi’s lotus feet.

ಜಗನ್ನೇದಂ ನೇದಂ ಪರಮಿತಿ ಪರಿತ್ಯಜ್ಯ ಯತಿಭಿಃ
ಕುಶಾಗ್ರೀಯಸ್ವಾಂತೈಃ ಕುಶಲಧಿಷಣೈಃ ಶಾಸ್ತ್ರಸರಣೌ|
ಗವೇಷ್ಯಂ ಕಾಮಾಕ್ಷಿ ಧ್ರುವಮಕೃತಕಾನಾಂ ಗಿರಿಸುತೇ
ಗಿರಾಮೌದಂಪರ್ಯಂ ತವ ಚರಣಮಾಹಾತ್ಮ್ಯಗರಿಮಾ || ೨೪||

O Daughter of Himavan! Sages with sharp and skillful minds embark on a quest to find the ultimate Truth walking the path of scriptures and discard every thing of this world saying ‘ this is not the ultimate Truth’ and still continue their search.  The  meaning of their words  points to the weight of the greatness of your lotus feet.  

ಕೃತಸ್ನಾನಂ ಶಾಸ್ತ್ರಾಮೃತಸರಸಿ ನಿತರಾಂ
ದಧಾನಂ ವೈಶದ್ಯಂ ಕಲಿತರಸಮಾನಂದಸುಧಯಾ|
ಅಲಂಕಾರಂ ಭೂಮೇರ್ಮುನಿಜನಮನಶ್ಚಿನ್ಮಯಮಹಾ-
ಪಯೋಧೇರಂತಃಸ್ಥಂ ತವ ಚರಣರತ್ನಂ ಮೃಗಯತೇ || ೨೫||

The gem of your lotus foot is bathed well in the nectar-lake of scriptures. It is pure and enriched with the nectar of bliss.  It is the adornment of the Earth and it abides in the heart of the great ocean of consciousness. Those lotus feet of yours are sought after by the minds of the sages as a priceless gem.